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A-6
Intruder
Graphite
on paper, 1987
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Artist
& Son
Grant
in etching studio, 1994
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First
Steps
(Picasso
reproduction), 1969
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Express
Thyself II
18"
x 24", Graphite on paper, 1988
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Born
in San Bernardino (Norton AFB),
California in 1960, Dehné was your typical Air Force "brat".
He traveled the world at a young age, and in the process acquired
a love of exploration, an attachment to the thrill of airplanes,
and a passion for expressing himself through art. In his pre-teens
he was completely captivated with drawing anything from Grand
Prix cars to horses to plants to airplanes. Through his teens
he continued to do works which were essentially reproductions
of what can be seen through the human eye, though in the back
of his mind the desire grew to pursue the experimental freedom
found in more abstract approaches. He was satisfied for the
time being though, and was critically recognized through a
number of art competitions, both national and international,
in which he received awards.
Then Dehné became increasingly interested in form
and color without any regard to statement or representation,
basically a reduction of the work so as not to suggest any
particular object. He felt it was time to consolidate his
skills and techniques and reassess the path which he was taking.
"It is unbelievable how brave an artist must be to start
a new painting; it is even more horrific to find yourself
at the 'Y' in the artistic road. I was completely filled up
and had covered a very broad band of painting, drawing, etching
and sculpture — I felt I had gone full circle."
He decided that this was not a bad thing and that going back
to re-cover some ground could prove beneficial, even childhood
ground where he had absorbed a variety of styles. "As
a kid I borrowed thoughts on works from artists such as Kandinsky,
Dali, Miro, Leger, and Picasso. I painted a reproduction of
'First Steps' and even attempted to paint El Greco's 'View
of Toledo' along with a few Frederic Remington paintings and
drawings."
With all his basis of technique and life experience he integrated
the ideas of his artistic past and present into an approach
he refers to as "Artineering." "I admit my
art is a bit technical; that stuff is planted in my imagination
like an alien growth."
Dehné has an engineering degree and has been flying
airplanes since age 16. His fascination for moving parts and
components in machinery are a major inspiration. Over the
years Dehné has done many pieces focusing on aircraft,
ships and trains which demanded the application of skilled
drafting abilities and shading techniques. His career as an
engineer allows him to travel and experience many facets of
our industrially advanced society, which he hungrily eats
up as a possible idea for the next art project. "I am
so busy looking around, say in a factory or something, I can
barely focus on the job at hand. It is a rich and varied experience."
For now these visual and aural experiences are the driving
force behind Dehnés work.
We start to see his paintings and drawings take on emotional
and spiritual intensity through the use of colors and forms
he has seen and strives to recreate on a different level.
He attempts to show movement and beauty in his somewhat biotech/mechanical
world with the flat planes and dimensional figures, the manipulation
of bright contrasting colors, and the use of shaded modeling.
His new techniques, along with the variety of media used,
became a unique style that projects his sensitivity, intelligence,
and intensity of feeling for his work. Dehné takes
vast pains to achieve exactly what he wants and needs in the
final product. His subtle use of the oil, pencil, pastel,
ink and charcoal, and his passion for maintaining honesty
and truth in each piece, while still being true to himself, underplays
the impact of his work. Dehné's work, exhibited
in such places as Palm Beach, New York City (SoHo, Chelsea,
and 57th Street), Barcelona, Spain, and the United Arab Emirates,
remains with you. Looking at the intensity of colors, unrestrained
imagination, vivid emotions, and empirical practicality, it is clear that
Dehne's artistic mutations are like a runaway steam train.
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